We’re well into 2025, and the television landscape has never been more exciting.
I’ve spent countless hours binge-watching the hottest new series and returning favorites to bring you this definitive guide to the absolute best shows you need to be watching right now.
From gritty westerns and mind-bending political thrillers to powerful real-life dramas, I’ve curated a list of 12 exceptional shows that are making waves this year.
Each of these series offers something unique – whether it’s groundbreaking storytelling, unforgettable performances, or production values that will leave you breathless.
Let’s dive into the must-watch television of 2025 that you’ll definitely want to add to your watchlist!
American Primeval
Platform: / Genre: Western, Drama, Thriller, Action /
8.0/10

When I first pressed play on American Primeval, I was immediately transported to the brutal Utah frontier of 1857, where survival comes at a deadly cost.
Created by Mark L. Smith (who wrote The Revenant) and directed by Peter Berg, this six-episode miniseries offers an unflinching look at America’s westward expansion.
A Merciless Journey Through the Untamed West
The series centers on Isaac Reed (Taylor Kitsch), a mountain man raised by the Shoshone who’s haunted by past trauma.
His path intersects with Sara Holloway (Betty Gilpin), a fugitive mother wanted for murder who’s traveling west with her disabled son Devin.
I found myself completely immersed in the dangerous world they navigate, where Mormon settlers, Indigenous tribes, and U.S. military forces clash violently during the Utah War.
The series doesn’t shy away from depicting historical events like the Mountain Meadows Massacre, giving viewers a raw glimpse into this tumultuous period.
What Makes It Unmissable
I was particularly struck by the show’s commitment to portraying the era’s bloodshed and depravity without filter.
The cinematography is absolutely breathtaking – dust, blood, and grit have never looked so captivating.
Berg’s direction creates a visceral viewing experience that makes you feel the harshness of the frontier in your bones.
What really impressed me was learning that the production spent 137 days filming outdoors in the elements and only three days in a studio.
That dedication to authenticity definitely shows on screen.
Standout Performances
Taylor Kitsch delivers a powerfully intense performance as Isaac Reed, bringing a haunted quality that perfectly embodies the character’s trauma.
Betty Gilpin‘s portrayal of Sara Holloway is equally impressive, balancing fierce determination with vulnerability.
I was particularly blown away by Shea Whigham as Jim Bridger and Kim Coates as Brigham Young.
Both actors bring tremendous depth to their historical figures.
The entire cast underwent a month of “cowboy camp” to prepare for the demanding shoot.
Their commitment definitely elevates the series.
Daredevil: Born Again
Platform: / Genre: Superhero, Action, Crime, Drama, Legal Thriller /
8.5/10

The long-awaited return of Matt Murdock to the Marvel Cinematic Universe had me counting down the days until its premiere on March 4, 2025.
I can confidently say that Daredevil: Born Again was absolutely worth the wait.
The Devil of Hell’s Kitchen Returns
The series brings back Charlie Cox as Matt Murdock, the blind lawyer with heightened senses who moonlights as the vigilante Daredevil.
What fascinated me about this iteration is how it expertly continues storylines from the beloved Netflix series while integrating the character into the broader MCU.
The central conflict feels incredibly high-stakes – Matt’s nemesis Wilson Fisk/Kingpin (Vincent D’Onofrio) has risen to become Mayor of New York City and is determined to eliminate vigilantes from his streets.
Their inevitable collision course makes for some of the most compelling television I’ve seen this year.
Why It’s A Must-Watch
What I appreciated most about Born Again is its darker tone compared to other MCU entries.
The show brilliantly explores themes of justice, redemption, political manipulation, and the moral complexities of heroism and villainy in a grounded, street-level setting.
I was thrilled to see the mid-production creative overhaul that brought back fan-favorite characters from the Netflix series.
The return of Deborah Ann Woll as Karen Page, Elden Henson as Foggy Nelson, Wilson Bethel as Bullseye, and Jon Bernthal as The Punisher felt like a gift to longtime fans.
The result is a show that feels like a breath of fresh air in the superhero genre.
It offers a perfect blend of character-driven drama and intense action.
Performance Highlights
Charlie Cox slips back into the role of Matt Murdock/Daredevil effortlessly, bringing the same depth and internal conflict that made his original portrayal so beloved.
Vincent D’Onofrio’s Kingpin remains one of the most intimidating villains in the MCU, somehow even more menacing now that he wields legitimate political power.
I was particularly impressed by the chemistry between Cox and Deborah Ann Woll.
Their scenes together carry the emotional weight of their complex history beautifully.
The addition of Margarita Levieva as Heather Glenn brings a fresh dynamic to Matt’s personal life that further complicates his already challenging dual existence.
Zero Day
Platform: / Genre: Political Thriller, Conspiracy, Drama /
7.0/10

When I heard Robert De Niro was making his television debut in Zero Day, I knew this would be a significant series – and I wasn’t disappointed.
This six-episode political thriller from creators Eric Newman, Noah Oppenheim, and Michael Schmidt offers a frighteningly plausible look at America in crisis.
Cyber Catastrophe and Political Intrigue
The premise grabbed me immediately – a coordinated cyberattack (dubbed “Zero Day”) has devastated the United States, causing widespread infrastructure failure and thousands of deaths.
De Niro plays George Mullen, a former U.S. President pulled from retirement and granted extraordinary powers to lead a commission investigating the attack.
Watching Mullen navigate a complex web of conspiracy involving potential state actors, tech moguls, political commentators, and figures within the highest levels of government kept me on the edge of my seat.
The inclusion of his estranged congresswoman daughter Alexandra (Lizzy Caplan) adds an intriguing personal dimension to the high-stakes investigation.
Thought-Provoking Themes
What I found most compelling about Zero Day is how it explores our societal vulnerabilities in the digital age.
The series delves deep into themes of political paranoia, technological dependence, government power, trust, misinformation, and the fragility of modern society.
While the plot occasionally becomes convoluted, I appreciated the show’s ambition and its willingness to ask uncomfortable questions about our interconnected world.
The creators aimed for a nonpartisan portrayal, which I found refreshing in today’s politically charged entertainment landscape.
Stellar Cast Elevates the Material
Robert De Niro brings gravitas to his role as George Mullen, creating a complex character who’s both commanding and vulnerable.
Jesse Plemons delivers what I consider the standout performance as Roger Carlson, bringing nuance and intensity to every scene he’s in.
The ensemble cast includes impressive turns from Lizzy Caplan, Joan Allen, Connie Britton, Angela Bassett, and Dan Stevens.
Each actor brings remarkable depth to their respective roles.
The chemistry between De Niro and Plemons creates some of the most engaging moments in the series, particularly as they unravel the layers of conspiracy.
Adolescence
Platform: / Genre: Psychological Crime Drama, Mystery, Thriller /
8.3/10

Rarely does a show affect me as deeply as Adolescence did – this four-part British crime drama is nothing short of extraordinary.
Created by actor Stephen Graham and Jack Thorne, and directed by Philip Barantini, it’s a masterpiece of technical achievement and emotional storytelling.
A Devastating Story Told in Single Takes
The series follows 13-year-old Jamie Miller (Owen Cooper), who’s arrested for allegedly murdering his classmate, Katie Leonard.
What makes this show truly revolutionary is its filming technique – each of the four episodes is shot as a genuine single continuous take in real-time, with no hidden cuts.
This approach creates an immersive intensity that made me feel like I was witnessing these events unfold in real life.
As the police investigation progresses and Jamie is detained in a secure training center, the series explores the emotional turmoil experienced by his family.
His father Eddie (Stephen Graham) becomes a particularly emotional focal point as he grapples with what’s happening to his son.
Contemporary Issues Explored with Nuance
What stunned me most about Adolescence is its unflinching exploration of complex contemporary themes.
The show delves into youth violence (specifically knife crime), bullying, the impact of social media, toxic online communities, modern masculinity, and the overwhelming pressures of teenage life.
Episode 2 particularly resonated with me for highlighting the disconnect between parents and children in the digital age – something I find increasingly relevant.
The series is emotionally devastating but also thought-provoking in all the right ways.
Breakthrough Performances
Owen Cooper’s performance as Jamie is nothing short of miraculous – especially considering this was his debut role after being discovered in a search involving 500 boys.
Stephen Graham brings his characteristic intensity and vulnerability to the role of Eddie, Jamie’s father.
The entire cast delivers raw, authentic performances that feel almost documentary-like in their realism.
I was fascinated to learn that Cooper’s first day on set involved shooting the highly-rated Episode 3, which many consider the emotional pinnacle of the series.
The Night Agent (S2)
Platform: / Genre: Action Thriller, Spy Drama, Espionage /
7.5/10

After the first season of The Night Agent became one of Netflix’s biggest hits, I was eager to see if Season 2 could maintain the momentum.
The second installment, which premiered on January 23, 2025, continues the high-stakes espionage action that made the original so appealing.
New Missions, Higher Stakes
Season 2 picks up with FBI agent Peter Sutherland (Gabriel Basso) now officially part of the covert Night Action program.
I was immediately drawn into the action as the season opens with Peter on a mission in Bangkok with his partner/mentor Alice (Brittany Snow), which goes catastrophically wrong.
Upon returning to the U.S., Peter reunites with Rose Larkin (Luciane Buchanan) and becomes entangled in new, complex conspiracies involving moles, international intelligence dealers, and potential biological weapons.
The season explores themes of loyalty, betrayal, and the human cost of espionage as Peter grapples with trust issues under his handler Catherine Weaver (Amanda Warren).
Action-Packed Entertainment
What I enjoy most about The Night Agent is its ability to deliver fast-paced, adrenaline-fueled action sequences that keep me engaged.
While the second season doesn’t quite reach the heights of the first, it still functions as enjoyable “turn your brain off” entertainment with enough twists to keep me watching.
The expanded scope of Season 2 takes us beyond Washington D.C. to international locations, giving the show a more global feel.
Showrunner Shawn Ryan has crafted a series that delves deeper into the increased difficulties and moral complexities of Peter’s official Night Action role.
Character Dynamics
Gabriel Basso continues to bring an earnest intensity to Peter Sutherland that makes him an engaging protagonist, even when the material isn’t as strong as it could be.
I found the addition of Brittany Snow as Alice to be a welcome new dynamic, though her character’s early fate sets up much of the season’s conflict.
The strained relationship between Peter and Rose (after he ghosted her for 10 months) creates an emotional undercurrent that sometimes works, even if their interactions occasionally feel forced.
Amanda Warren brings authority and complexity to her role as Catherine Weaver, creating an intriguing mentor-agent relationship with Peter.
Mob Land
Platform: / Genre: Crime Drama, Gangster /
8.2/10

Mob Land burst onto the scene as Paramount+’s biggest global series launch ever, and after watching it, I completely understand why.
This British crime drama, partially directed by Guy Ritchie, delivers exactly what I want from a gangster series – intense conflicts, complex characters, and a slick production style.
London’s Criminal Underworld Exposed
The series focuses on the escalating power struggle between two dominant, warring crime families in London: the Harrigans, led by Conrad (Pierce Brosnan) and Maeve (Helen Mirren), and their rivals, the Stevensons, headed by Richie Stevenson (Geoff Bell).
Tom Hardy stars as Harry Da Souza, a street-smart, dangerous, yet calm and unassuming “fixer” working for the Harrigan family.
I was immediately drawn into the world as Harry becomes caught in the crossfire when tensions rise, alliances shift, betrayals unfold, and violence escalates.
Watching him navigate dangerous loyalties while trying to protect the Harrigan empire and potentially prevent a full-scale gang war makes for compelling television.
Ritchie’s Signature Style
What impressed me about Mob Land is how Guy Ritchie’s distinctive directorial approach sets the tone for the series, particularly in the first two episodes he helmed.
The show features the slick visual style, sharp dialogue, and morally complex characters that have become hallmarks of Ritchie’s work.
I particularly enjoyed how Episode 2 builds on the foundation of the pilot, featuring a memorable scene with Hardy that showcases his character’s dangerous capabilities.
The high production values give the series a cinematic quality that elevates it above typical television crime dramas.
Star-Studded Cast Delivers
The performances in Mob Land are exceptional across the board, with Tom Hardy delivering a menacing yet nuanced portrayal of Harry Da Souza.
Helen Mirren is absolutely terrifying as Maeve Harrigan, bringing a chilling authority to her role as the family matriarch.
Pierce Brosnan brings gravitas to Conrad Harrigan, even if his accent occasionally raises eyebrows.
I found it fascinating that this series marks a cinematic reunion for Brosnan and Mirren, who both appeared in the 1980 film The Long Good Friday but didn’t share screen time.
The Leopard
Platform: / Genre: Historical Drama, Period Drama /
7.5/10

The Leopard (Il gattopardo) is a sumptuous feast for the eyes that transported me to 1860s Sicily during a pivotal moment in Italian history.
This six-part historical drama, released on Netflix on March 5, 2025, is an adaptation of Giuseppe Tomasi di Lampedusa’s acclaimed 1958 novel.
A Changing World Through Aristocratic Eyes
The series follows Don Fabrizio Corbera, the Prince of Salina (Kim Rossi Stuart), an intelligent and pragmatic nobleman witnessing the decline of his aristocratic class during the Risorgimento – the period that led to Italian unification.
I was captivated by Don Fabrizio’s struggle to maintain his family’s power and status amidst revolutionary changes, embodied by his nephew Tancredi Falconeri’s (Saul Nanni) famous quote: “If we want things to stay as they are, things will have to change.”
The narrative explores Tancredi’s decision to join Garibaldi’s rebels and his complex romantic entanglements between Don Fabrizio’s devoted daughter Concetta (Benedetta Porcaroli) and the beautiful, wealthy Angelica Sedara (Deva Cassel).
Watching Don Fabrizio’s attempts to navigate the shifting political landscape creates a fascinating character study of a man caught between eras.
Visually Stunning Production
What struck me most about The Leopard is its breathtaking visual splendor – this is truly one of the most beautiful series I’ve seen on Netflix.
The cinematography, authentic Sicilian locations, architecture, costumes, music, and overall art direction are absolutely stunning.
I was impressed to learn that the series was filmed extensively on location in Sicily (including Palermo, Catania, Syracuse) and Turin, utilizing authentic palaces and historical sites.
The production spared no expense, with a reported budget of €40 million that included 5,000 extras, 100 animals, and 130 period carriages and boats.
Rich Performances
Kim Rossi Stuart delivers a complex, layered performance as Don Fabrizio that captures the character’s intelligence, melancholy, and pragmatism.
I was particularly moved by Benedetta Porcaroli’s portrayal of Concetta, which brings tremendous emotional depth to a character caught in unrequited love.
Deva Cassel (daughter of Monica Bellucci and Vincent Cassel) brings both beauty and surprising substance to her role as Angelica.
The ensemble cast creates a rich tapestry of characters that populates this changing world with authenticity and nuance.
El Turco
Platform: GAİN / Genre: Historical Drama, Action, Adventure / 7.5/10

El Turco offers a fascinating historical adventure that I found refreshingly different from typical Western period dramas.
This six-episode series stars prominent Turkish actor Can Yaman and is inspired by both Orhan Yeniaras’s novel and a historical legend about an Ottoman soldier after the 1683 Battle of Vienna.
From Warrior to Revolutionary
The story follows Hasan Balaban (Can Yaman), an Ottoman intelligence officer and Janissary soldier who is wounded and left behind during the retreat from Vienna.
I was immediately drawn into his journey as he finds refuge in the remote village of Moena in the Italian Alps, where he’s nursed back to health by the villagers, including the healer Gloria (Greta Ferro).
What makes the narrative compelling is how Balaban integrates into the community, earning the nickname “El Turco,” and is moved by the villagers’ suffering under oppressive feudal lords and high taxes.
His decision to organize and lead a peasant uprising transforms him from an outsider to a local hero, creating a fascinating character arc.
Based on a Remarkable Local Legend
One aspect of El Turco that I found particularly intriguing is its connection to actual folklore.
I was fascinated to learn that the town of Moena in the Italian Dolomites still holds an annual summer festival called “La Festa di Turchia” celebrating the legend of the Ottoman soldier who settled there.
The festival features Turkish flags and a parade with a “Sultan” character, showing how this centuries-old story remains embedded in local culture.
This real-world connection adds an extra layer of interest to the fictional dramatization.
International Production
El Turco represents a significant step for Turkish television, as it’s the first series produced by major Turkish production company Ay Yapım to be filmed entirely in English.
The international approach is reflected in the diverse cast and crew from numerous countries including Turkey, Italy, Hungary, UK, Ireland, Sweden, and others.
I found Can Yaman’s performance compelling as Balaban, bringing both physical presence and emotional depth to the role.
The series’ unique distribution across various regional platforms rather than a single global streaming service means it might be harder to find, but it’s definitely worth seeking out for history buffs and adventure fans.
House of David
Platform: / Genre: Biblical Historical Drama, Epic /
7.5/10

House of David brings the epic biblical tale of King David to life in a cinematic series that impressed me with its ambitious scope and visual flair.
Developed for Amazon Prime Video by filmmaker Jon Erwin, this multi-season biblical historical drama aims to tell one of history’s most influential stories with contemporary production values.
From Shepherd to King
Set primarily in Israel around 1000 BC, the first season chronicles the rise of David (played by newcomer Michael Iskander) from an outcast shepherd boy in Bethlehem to his destiny as the future king.
I was drawn into this ancient world through the depiction of David’s anointing by the prophet Samuel (Stephen Lang) and his complex relationship with the reigning King Saul (Ali Suliman).
The narrative reaches its climax with David’s famous battle against the Philistine giant Goliath (Martyn Ford), which is spectacularly realized in Episode 8 (“Valley of Elah”).
Throughout the season, themes of faith, destiny, purpose, overcoming obstacles, love, loss, and violence are explored within the political and religious context of ancient Israel.
Modern Epic with Ancient Roots
What impressed me about House of David is how it modernizes the ancient tale with sweeping cinematography and action sequences worthy of secular epics like Game of Thrones or The Lord of the Rings.
The series was filmed on location in Greece, giving it an authentic Mediterranean atmosphere that enhances the historical setting.
I particularly enjoyed hearing David sing passages from the Book of Psalms, sometimes in Hebrew, which adds a layer of authenticity to the character.
The series takes some creative liberties with the biblical narrative, which may divide viewers depending on their expectations for scriptural fidelity.
Notable Performances
Michael Iskander brings youthful energy and emotional depth to David, making his journey from shepherd to warrior compelling.
I was particularly impressed by Stephen Lang’s gravitas as the Prophet Samuel, bringing moral authority and spiritual weight to his scenes.
Ali Suliman’s portrayal of Saul’s descent from confident ruler to paranoid tyrant creates one of the show’s most complex character arcs.
Martyn Ford, a well-known bodybuilder nicknamed “The Nightmare,” makes a physically imposing Goliath that genuinely feels threatening.
Paradise
Platform: / Genre: Sci-Fi Thriller, Political Thriller, Mystery /
7.9/10

Paradise grabbed my attention with its unique premise and kept me watching with its blend of sci-fi concepts, political intrigue, and murder mystery elements.
Created by Dan Fogelman (known for This Is Us), this Hulu series stars Sterling K. Brown in a role that showcases a different side of his considerable talents.
Underground Intrigue After Doomsday
The narrative is set in an imagined present day following a global “doomsday event” attributed to climate catastrophe.
I was immediately drawn into the world of “Paradise,” a massive, technologically sophisticated underground city built by tech billionaire Samantha “Sinatra” Redmond (Julianne Nicholson) to house 25,000 survivors.
Sterling K. Brown plays Xavier Collins, a former U.S. Secret Service agent serving as head of security for the newly relocated, recently elected President Cal Bradford (James Marsden).
When President Bradford is murdered within the bunker, Xavier becomes the prime suspect after discovering the body, setting up a tense investigation as he tries to clear his name, find the real killer, and protect his family.
A Standout Episode
While the series has some uneven moments, I was absolutely blown away by Episode 7 (“The Day Before”), which depicts the past catastrophe through flashbacks.
This episode is a masterclass in tension and emotional impact, earning a remarkable 9.5/10 rating on IMDb and elevating the entire series.
The revelations about the “doomsday event” provide crucial context that makes the underground bunker setting and the characters’ motivations far more compelling.
I appreciated how this episode connected all the puzzle pieces that had been laid out in the previous installments.
Strong Lead Performance
Sterling K. Brown anchors the series with a powerful performance as Xavier Collins, bringing depth and complexity to a character facing impossible circumstances.
Julianne Nicholson creates an intriguing figure in Samantha “Sinatra” Redmond, whose motives remain tantalizingly ambiguous throughout much of the series.
James Marsden makes the most of his limited screen time as President Bradford, creating a memorable presence that looms over the story even after his character’s demise.
I found Glynn Turman’s portrayal of Fred Collins, Xavier’s father, particularly moving, adding emotional weight to the protagonist’s story.
The Residence
Platform: / Genre: Murder Mystery, Comedy Drama, Whodunnit /
7.8/10

The Residence offers a delightful twist on the murder mystery genre by setting its whodunnit in the most famous address in America – 1600 Pennsylvania Avenue.
Created by Paul William Davies and produced by Shonda Rhimes’ Shondaland, this eight-episode Netflix series premiering March 20, 2025, blends comedy, drama, and intrigue in a unique setting.
Murder in the White House
The plot kicks off with the murder of the Chief Usher, A.B. Wynter (Giancarlo Esposito), during a state dinner at the White House.
I was immediately drawn in by the premise and the introduction of Uzo Aduba as Cordelia Cupp, an eccentric, quirky, but brilliant detective brought in to solve the crime.
With 132 rooms and 157 potential suspects among the staff and guests, Cupp must navigate a complex web of interpersonal conflicts, hidden secrets, and political intrigue to uncover the killer.
The series effectively blends elements of a classic whodunnit mystery with screwball comedy and character drama, exploring the lives “upstairs, downstairs, and backstairs” of the iconic building.
Uzo Aduba Steals the Show
The absolute highlight of The Residence is Uzo Aduba’s magnetic performance as Detective Cordelia Cupp.
I found her portrayal so compelling that I’d happily watch a spin-off series centered entirely on her character – she brings the perfect blend of eccentricity, intelligence, and determination to the role.
Giancarlo Esposito delivers a strong performance as A.B. Wynter, which is particularly impressive given that he took over the role following Andre Braugher’s passing mid-production.
The ensemble cast creates a vibrant community of White House staff and political figures that populates this world with colorful personalities.
Behind-the-Scenes Challenges
I was fascinated to learn about the production challenges The Residence overcame, including the tragic loss of Andre Braugher, who was originally cast as Chief Usher A.B. Wynter.
The production utilized a combination of reshooting scenes and using existing background shots with Esposito superimposed during post-production to complete the series.
Production was also interrupted and delayed by the 2023 Hollywood labor disputes after four of the eight episodes had been filmed.
To accurately depict parts of the White House residence that are typically off-limits and unphotographed, the production design team consulted with a former White House professional who described these areas from memory.
Toxic Town
Platform: / Genre: Docudrama, Legal Drama, True Story /
7.6/10

Toxic Town hit me like an emotional gut punch – this powerful four-part British drama miniseries tells a true story that deserves to be widely known.
Created by acclaimed writer Jack Thorne and released on Netflix on February 27, 2025, it dramatizes the real-life environmental scandal and subsequent legal battle known as the Corby toxic waste case.
A Community’s Fight for Justice
Set in the town of Corby, Northamptonshire, during the 1980s and 1990s, the narrative follows a group of mothers who begin to connect a disturbing cluster of severe birth defects, primarily limb deformities, among children conceived around the same time.
I was deeply moved by the story of these women, led by figures like Susan McIntyre (Jodie Whittaker) and supported by others like Tracey Taylor (Aimee Lou Wood) and Maggie Mahon (Claudia Jessie).
The series chronicles their arduous, decade-long fight for justice as they uncover evidence linking the defects to the negligent reclamation and disposal of toxic waste from former steelworks sites by the local council.
Watching their battle culminate in a landmark court case in 2009 created one of the most satisfying conclusions I’ve seen in a docudrama.
Emotional Impact and Social Relevance
What struck me most about Toxic Town is its emotional weight and relevance to ongoing environmental justice issues around the world.
The series offers a powerful examination of community resilience in the face of corporate and institutional negligence.
I appreciated how the tight, four-episode structure tells the story effectively without unnecessary filler, making every moment count.
The show has drawn comparisons to Erin Brockovich, and it shares that film’s ability to make complex environmental and legal issues accessible and emotionally resonant.
Stellar Performances
Jodie Whittaker delivers a powerful performance as Susan McIntyre, bringing determination and vulnerability to this real-life hero.
I was particularly moved by Aimee Lou Wood’s heartbreaking portrayal of Tracey Taylor – her emotional scenes are among the most affecting in the series.
Robert Carlyle brings depth to Sam Hagen, while Rory Kinnear’s performance as solicitor Des Collins is stellar, capturing the legal professional’s growing commitment to the case.
I found it interesting that Brendan Coyle, who plays councilor Roy Thomas (portrayed negatively in the series), was actually born in Corby, the town where the events took place.
Final Thoughts: 2025’s Television Landscape
After immersing myself in the best shows of 2025, I’m struck by the incredible diversity and quality of television available to viewers.
From heart-pounding action in Daredevil: Born Again to the emotional devastation of Adolescence, there’s truly something for every taste and mood.
What stands out to me is how many of these shows are taking creative risks – whether it’s Adolescence’s one-shot filming technique, American Primeval’s unflinching depiction of frontier violence, or The Residence’s unique blend of murder mystery and political comedy.
I’ve also noticed a trend toward limited series that tell complete stories in 4-8 episodes, allowing for tighter storytelling without unnecessary filler.
While Netflix remains the dominant platform with seven of these twelve shows, it’s encouraging to see quality content coming from Disney+, Paramount+, Hulu, Amazon Prime Video, and even regional platforms.
Whether you’re drawn to historical epics, superhero adventures, psychological thrillers, or true-life dramas, 2025’s television lineup offers an embarrassment of riches.
Which of these shows have you watched? I’d love to hear your thoughts in the comments below!